摘要
从空间概念入手,针对目前汉代佛像实物依附于墓葬载体资料存在的特殊属性,以佛像考古材料为基础,根据相对载体的空间位置,对西南民族地区现存的汉代佛像进行分类;从构图、比例、动态等方面进行空间装饰性解构剖析;总结出汉代佛像空间装饰性语言特征,并从本土和外来两方面研究其形成原因。
In accordance with the space concept, the existence of which the Han Dynasty Buddha is attached to the current available data for ancient graves, the article makes a classification for the remaining Han Dynasty Buddha figures in the southwest minority regions, which is based on the archaeological data for Buddha figures and the spatial location of the entity;it analyzes the spatial decorativeness of the figures in terms of composition, proportion, dynamic state etc. ; it summarizes the decorative features of Han Dynasty Buddha, and investigates its formation mechanism at home and abroad.
出处
《湖南大学学报(社会科学版)》
CSSCI
北大核心
2017年第2期113-118,共6页
Journal of Hunan University(Social Sciences)
关键词
汉代佛像
佛教史
雕塑史
建筑史
the Han Dynasty Buddha
the Buddhism history
the history of the sculpture
architectural history