凤阳花鼓音乐与明清俗曲关系考述

On the Relations of Music of Fengyang Flower Drum and Folk Songs in Ming and Qing Dynasties

利用个案分析的方法,把民族音乐学的理论与丰富的口传音乐史料有机结合,深入探索了明清俗曲在凤阳花鼓中的大量遗存。考述了凤阳花鼓与明清俗曲的历史联系,研究了明清俗曲与凤阳花鼓相互渗透、共生依存的关系。尤其是对凤阳花鼓中的明清俗曲音乐曲牌和明清俗曲中的凤阳民歌小调曲牌的考述,为研究凤阳花鼓的传承规律进行了一次有益的尝试。为进一步了解明清俗曲在曲艺类非遗中的流变和传承、发展提供了重要的依据。

By using the method of case analysis,with the combination of the theory of ethnomusicology and rich oral music his-torical materials,the paper makes the in-depth exploration of the Ming and Qing folk songs showed in Fengyang flower drum. The mutual penetration and the symbiotic interdependence of folk songs in Ming and Qing dynasties and Fengyang flower drum are stud-ied. Especially the exploration of the traditional music in the Ming and Qing folk songs showed in fengyang folk minor attempts to dis-cover the traditional rules of the inheritance of Fengyang flower drum. In order to further understand the drama evolution and intangi-ble heritage and development of the folk songs in Ming and Qing dynasties the paper provides an important basis.