论中国现代文学史中的延安文艺书写

On Yan＇an Literary and Art Writing in the History of Chinese Modern Literature

中国现代文学史关于延安文艺的书写经历了从权威崇拜的“众口一词”到各抒己见的“众声喧哗”再到趋于理性的“多元共生”的流变过程,文学史对延安文艺的书写方式呈现出详略不一的特点,大致可分为“附驥”式书写与论著式书写.这些流变过程与书写方式反映出特定历史时期社会、政治、经济、文化等因素对于文学史书写的重要影响.新世纪以来,延安文艺研究在史料收集、研究方法、研究视野等方面都有较大突破与进展,从学理层面推动了文学史关于延安文艺的良性书写.

Writing about the Yan, an literature and art in the history of modem Chinese literature has expe-rienced three stages evolving from the one unanimous voice based on worship of authority to each one, s express-ing their own views, then to the rational symbiosis. The works on the history of literature regarding Yan, an lit-erary writing, roughly divided into followers, writing and works of independent views, shows differences in styles. Some are more detailed while others not. The evolution of way of writing reflects the specific historical period during which social, political, economic and cultural factors have important influence on literary history writing. In the new century, Yan, an literature and art research has a great breakthrough with progress in histor-ical data collection, research approaches, research perspectives and other aspects, which from the theoretical level promotes the reasonable writing of literary history about the Yan, an literature and art.