摘要
《张协状元》作为现存唯一完整的早期南戏剧本,在戏曲学界具有重要地位,围绕其编写年代,形成了南、北曲两派相互辨诘。曲牌的源流研究又是双方争论的焦点。通过对曲牌【复襄阳】的产生年代进行重新论证,梳理宋元历史上三次"复襄阳之战",可进一步得出结论,【复襄阳】的产生年代不早于南宋末,继而推出《张协状元》的编写年代当不会早于南宋末。
Zhang Xie Zhuangyuan, as the only existing complete works ol early Nanxi, plays an important role in the field ol Chinese drama. Around the time ol its compilation, the scholars are divided into the southern party and the northern one. They argued with each other, focusing on source and course ol the qu pai. This paper re - demon-strated the producing time ol Fu Xiangyang, and discussed three battles involved Xiangyang. It holds that the produ-cing time of Fu Xiangyang may not be earlier than the late years ol the Southen Song Dynasty, accordingly, the writ-ing time ol Zhang Xie Zhuangyuan should not be earlier than the late years ol the Southen Song Dynasty, too.
出处
《湖北文理学院学报》
2017年第3期24-27,共4页
Journal of Hubei University of Arts and Science
基金
河北师范大学创新资助项目(xj2015023)
关键词
《张协状元》
Zhang Xie Zhuangyuan Fu Xiangyang Meng Gong
Li Cengbo