摘要
吴晗在创作京剧《海瑞罢官》时,就历史剧创作提出"戏剧真实性"原则,即不能违背常识,人物、事迹、时代精神不能错乱,尊重中国传统典籍。出于历史学家的社会责任感,在向大众普及历史知识过程中,他反对在戏剧中虚无历史。但他在戏剧创作实践中却难以贯彻这些思想主张。
When Wu Han writes the Peking opera The Dismissal of Hairui From Office, he puts forward a principle of drama authenticity in historical play, which means that drama should not be contrary to common sense, there should be no confusion in person, achievement and zeitgeist, and traditional Chinese books and records should be respected. Out of his sense of social responsibility as a historian, he is opposed to historical nihilism in drama when historical knowledge is popularized to people . But in practice to write his own opera, he can't conform to his ideological views .
出处
《兰台世界》
2017年第6期98-101,共4页
Lantai World
基金
安徽省高等教育振兴计划项目:"中国近现代史纲要"名师工作室(szzgjh1-1-2016-25)
关键词
吴晗
历史虚无主义
海瑞罢官
戏剧真实性
Wu Han
historical nihilism
the Dismissal of Hairui From Office
drama authenticity