一个文本背后的灵魂超越与本体回归——从鲁迅小说《离婚》说开来

On the Transcendence of the Soul and the Return of the Entity Behind a Text:On Lu Xun's Novel Divorce

长久以来,鲁迅很多作品的阐释都被限定在一些固定的话语中,如启蒙、国民性、社会与文化批判等,对鲁迅本人的理解也逐渐成为用鲁迅作品进行"六经注我"的过程。这种现象在文学研究的各个方面都有所显露,而鲁迅研究尤为严重。现以鲁迅小说《离婚》为例,从文本出发重新解读,结合作品创作的时代背景与作家本人微观体验,细致考察这一文本的历史语境,为今天重新阅读鲁迅、理解鲁迅作品提供一点思考。

For a long t ime, the interpretations on many of Lu Xun＇s works are limited in some fixed discourses, such as the enl ightenment, national ch aracter, revolution and social and cultural criticism and so on,and the understanding to Lu Xun himself has gradually become a process of “ iis six classic works” This phenomenon has been revealed in many aspects of his literary rese arch, and it is even more serious in the interpretation of Lu Xun and his works. This paper a ttempts to take Lu Xun＇ novel DVcrce as an example to analyze the tex t under the background of the writer writing experience and the historical context of the text. It is hoped to provide a bit of thought to reread andunderstand Lu Xun and his works today.