叙事的张力与文本的深意——再解读莫言《白狗秋千架》

On the Narrative Tension and Context Implications——Re-interpretation of Mo Yan's White Dog Swing

《白狗秋千架》是莫言第一次"打起高密东北乡的旗号"的重要的作品之一。莫言运用第一人称内聚焦叙述使文本产生了巨大的感染力与张力,并改写了五四以来的"故乡与返乡"故事模式,赋予"秋千架"这一核心意象以隐喻深意,充分体现了他将表层叙事与深层意旨巧妙结合的独特艺术手法,以及他一直以来对底层农民悲剧命运与生活苦难的深刻思考。

White Dog Swing is one of Mo Yans important literatures, which is firstly publicized with the repre-sentation of the northeastern area. The first - person narrative makes the text produce a great appeal and tension and rewrites the story mode of hometown and returning home since the May Fourth Movement, which gives the novel core image to express metaphor meaning, fully embodies his unique artistic techniques by combining surface narra-tive and the profound intention and expresses his deep thinking of tragic fate and life misery of the bottom peasants.