悲剧快感中酒神和日神的二元对立——论电视剧《琅琊榜》的悲剧实质

The Dualistic Theory of Tragedy Artistic Impulse between Dionysus and Apollo——The Explication of Tragedy in the Teleplay Nirvana in Fire

酒神和日神的二元冲动说是尼采悲剧观的核心。本文从酒神和日神的二元对立入手解读电视剧《琅琊榜》的悲剧实质和悲剧快感,不仅跳出了网络小说改编的视角,而且触及了其悲剧核心。《琅琊榜》的悲剧实际上是酒神和日神联盟的结果,主人公梅长苏的本原状态就是痛苦与狂喜交织的酒神状态,这种状态必须被日神化的美好外观掩盖、调和,他“向死而生”的结局也验证了个体毁灭而回归永恒意志的悲剧快感。

The dualistic impulses of Dionysus and Apollo are the core of Nietzsche＇s concept of tragedy. This paper tries to explicate the tragic essence and aesthetic lust of Nirvana in Fire which is from the point of view of Nietzsehe＇s dualistic theory of artistic impulse. It not only oversteps the eyes of Internet novel adaptation but also concerns the core of tragedy. Then it can come to the following conclusion： the tragedy of Nirvana in Fire is the result of dualistic impulses of Dionysus and Apollo＇s union. The leading role Mei Changsu＇s essential status is Dionysus＇ status which mingles misery and ecstasy. This status needs beautification of Apollo＇s status. Mei Changsu＇s final result test and verify the tragic aesthetic lust which comes back to eternal will with destroying the individual.