身份越境与自我重构──论林芙美子文学中的女性形象谱系

The Study of Different Female's Image in Hayasifumiko's Literature

林芙美子因女性书写而知名,但其笔下的女性形象并不符合近代日本"贤妻良母"的文化规约。本文以女性主义批评理论为阐释框架,以《放浪记》《河沙鱼》《晚菊》三部作品为研究对象,梳理出林芙美子小说中的女性形象谱系及其内在的关联性,分析"芙美子""千惠子""阿欣"这三位女性是如何凭借身体表象僭越男权规约并重构自我的。通过考察三位女性对男权秩序的身份越境,指出了林芙美子女性形象谱系书写的历史价值和现实意义。

Fumiko Hayashi is known for her female writing, but the women which she created do not meet up to the ＂virtuous wife and good mother＂. This paper uses feminist criticism theory to analyze her literature, In ＂hobo＂ ,＂ river shark＂ ,＂ chrysanthemum in dark＂, she writes about three women called ＂Fumiko＂ ＂chieko okin＂. This article tries to analyze how the women transcend the malelism and find their identities, making clear how they construct their Self-identity.