论宋前道教小说中的仙境叙事与图像的互文关系

On the Intertextuality of Wonderland Narration and Image in Taoist Novels Before Song Dynasty

汉墓西王母图像及魏晋绘画中的神仙境界和宋前道教小说中的仙境描写有着互文关系。语象和图像在意义的呈现上,体现出互喻的实质。从地理特征来看,魏晋绘画和道教小说中的仙境都呈现出喀斯特地貌,洞穴、石桥、溪流等,成为区隔仙凡世界的地理标志;从内容上看,西王母图像和宋前道教小说都突出了长生不老、饮食之精、娱乐之欢等特征。两者又可以补充、深化或提示对方表达不足的方面。图像只能表现仙境生活的经典性场景,而小说则凭借语言叙事的优势,全面讲述误入仙境者的访问过程,对仙人的外貌、穿着、居室、环境、饮食、玩乐等方面进行了更为细腻的描绘。

There is intertextuality among the images in the tomb of the Queen Mother of the Han Dynasty, me immortal realm in the painting of the Wei and Jin Dynasties and the fairy tales＇ description of the Taoist novels in the Song Dynasty. To present the meaning of the language and images, the essence of metaphor of each other were reflected. Through the geographical point of view, the wonderland in the Wei and Jin Dynasties paintings and Taoist novels shows karst landforms, caves, stone bridges, streams and so on, and becomes the geographical mark of the world where the immortal world is separated. From the content point of view, the novels and the images of the Queen Mother are highlighted the longevity, the best diet, the happiest entertainment and other characteristics. But both of them can supplement, deepen or suggest the other side to express the lack of aspects. The image can only show the classic scenes of wonderland life, and the novel is by virtue of the advantages of language narrative, take a comprehensive description of the process of someone whom entering the Wonderland by accident, and take a more earful depiction with the immortal appearance, wearing, living room, environment, diet, play and so on.