由清代院体花乌画看陶瓷粉彩花乌画的传承与创新

Inheritance and Innovation of Ceramic Pastel Flower and Bird Painting from Perspective of the Qing Dynasty Painting with Academy Style

在中国古代绘画史上,院体花鸟画作为一种具有独特时代背景和传统文化底蕴的艺术形式存在,对当下扮彩瓷画创作的影响很大,如何在扮彩花鸟瓷画发展日趋多元化的今天,在努力保有中国花鸟画传统绘画精髓的同时找到与景德镇扮彩瓷画艺术的契合点,促进传统陶瓷绘画的蓬勃发展,是一个值得深思的问题。以对清代院体花鸟画形态特征的分析作为切入点,对当代景德镇扮彩瓷画的创作思想、艺术风格、表现形式、传承与创新等问题进行探讨。

In the history of ancient Chinese painting,the flower and bird painting with academy style as an art form of unique historical background and cultural traditions,influences the contemporary famille rose porcelain painting creation.In today' s increasing diversified development of famille rose flower and bird porcelain,it is a problem worth pondering that we not only should take an effort to retain the essence of Chinese traditional flower and bird painting but also must find a coincident point with the art of Jingdezhen famille rose porcelain painting,then promote the vigorous development of the traditional ceramic painting.In this paper,using the analysis of the Qing Dynasty morphological characteristics as a starting point,the creative thought,artistic style,expression form,inheritance and innovation of the contemporary Jingdezhen famille rose porcelain painting are discussed.