从近代知识分子精神乌托邦的幻灭到国民新理想的构建——格非“江南三部曲”中超意识形态的民族关怀

Thought from Spiritual Utopia Disillusionment of Modern Intellectuals to New Ideal Construction of Citizens——Ge Fei's National Concern in “Trilogy of Southern Yangtze”

格非作为当代文坛"先锋作家"的代表,已经被"标签"了近三十年,尽管"江南三部曲"的问世,让许多研究者耳目一新,认为它体现了格非向传统文学的迁徙与致敬,但大多数研究者关注的主要方面还都是他叙事风格的转变及文论式的解读。本文放开创作模式不谈,仅从作品本身的文艺性、社会性、历史性的角度入手,融合古典文论的"意象"学说,以开放性的姿态,将近代中国文人的"理想"乌托邦打破、揉碎,完全融入到中华民族数千年源远流淌的"理想"文化长河中来,又间以不同的政治背景和时代特征,剥离出格非等一代知识分子超意识形态的思考和关怀。

Ge Fei has been considered as the representative of ＂vanguard writers＂ in the contemporary literary world for nearly 30 years. The publishing of ＂Trilogy of Southern Yangtze＂ gives many researchers a new impression,in which Ge Fei shows his new attention to traditional literary. However,most researchers still focus attention mainly on Ge Fei＇s narrative style change and literary style interpretation. This paper analyzes super ideological thinking and concern of the generation of intellectuals like C,e Fei from the literary, social and historical perspective.