《明对山秦腔脸谱》考辨

A Study on A Collection of Qin Opera Face Painting by Kang Duishan in Ming Dynasty

《明对山秦腔脸谱》是一部伪书,不仅不符合秦腔脸谱演进规律,而且与鹿鹤班大净四斤儿所绘秦腔脸谱、清末赵云汉秦腔脸谱设色、构图如出一辙,有明显的因袭关系。另外,从该谱的传承来看,这套脸谱系富平人杨光越于1913至1914年之间绘制,并非康海所绘。

Regarded as a book of pseudograph, A Collection of Qin Opera Face Painting by Kang Duishan in Ming Dynasty is not only inconsistent with the law of the evolution of Qin Opera face painting, but also has obviously influenced by Si Jin＇er, a male Qin Opera actor with painted face in Luhe Troupe and Zhao Yunhan, an expert of face painting in the late Qing Dynasty, which both feature great similarity in terms of coloring and composition with this collection. Further more, based on the artistic continuity, it is concluded that this collection is drawn by Yang Guangyne of Fuping County from the year 1913 to 1914, instead ofKang Hai.