摘要
郁达夫是现代日记文学的"始作俑者"。郁氏日记的形象主体并不是现实的翻版,而是自我的幻象,是小说中"零余者"形象的补充和延续。郁氏日记文本兼容史料和审美双重性质,其审美特性包蕴在对自身生存状态、生命意义的思考和感悟中。
Yu Dafu is the 'creator' of modern diary literature.The image subject in Yu's diary is not the mere copy of reality but his own imagination,the supplement and continuation of the 'superfluous person' image in his novels.Yu's diary contains the double quality of historical materials and aesthetic value,of which the aesthetic quality is included in his contemplation and understanding of the existing state and meaning of life.
出处
《贵州工业大学学报(社会科学版)》
2008年第6期124-126,共3页
Journal of Guizhou University of Technology(Social Science Edition)
关键词
郁达夫
日记
自我幻象
审美特性
Yu Dafu
diary
self-imagination
aesthetic quality