摘要
大陆学界有一种误解,说顾随是中国文学史上最后一位发表杂剧的剧作家,于是宣告了杂剧的消亡。但陈寅恪弟子程曦的杂剧创作一直延续到1994年,因20世纪50年代即迁徙海外,学界对他离开故土后的生活及著述鲜有所知,故有误解。文章拟在爬梳程曦自传、作品及其故旧回忆的基础上,勾勒其海外生活及著述之大概,还其诗人、学者、剧作家之本来面目,以助学界同好之研究,进而正确书写中国文学史。
Gu Sui was regarded as the last miscellaneous drama writer in Chinese literary history and therefore miscel- laneous drama came to an end with his death. The paper holds that Cheng Xi＇s miscellaneous drama creation lasted till 1994, and the academic circle knew little about his life and works because of his migration overseas. Based on Cheng Xi＇s autobiography, works and memoirs, the paper reviews Cheng Xi＇s life overseas and works and hopes to present his true image so that Chinese literary history will be completely and correctly written.
出处
《上海师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2017年第2期118-126,共9页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
基金
上海高校高峰学科建设计划资助"中国语言文学"
关键词
现代杂剧作家
程曦
陈寅恪
海外游踪
著述
modern miscellaneous drama writer, Cheng Xi, Chen Yinque, travel overseas, works
