图画、意蕴与文人心态:赵金《江村渔乐图》释读

An Interpretation on Zhao Jin's the Fishing Pleasure in the Riverside Village

"文人画"在明代绘画史中占有重要地位,其作品与所题诗文往往形成互文关系,体现出较为复杂的含义。中国国家博物馆藏明代赵金《江村渔乐图》历来少被关注,而此图可能是其唯一传世作品。赵金为明代隐士,长于诗词文章,与当时名士多有往来,在当时江南文化圈中具有相当的声望。本文认为,将《江村渔乐图》置于整个文人"渔父文化"的脉络中进行阐释有其合理性。该作品所显现出的特征及其图像与之后的题跋,不仅是对赵金、文徵明等人精神追求的诠释,更体现了当时文人在"入世为官"与"出世隐居"之间徘徊不定的复杂心态。

Literati paintings play an important part in Ming painting history. The picture and the inscription often interpret each other to reflect more complex connotations. Zhao Jin＇s the Fishing Pleasure in the Riverside Village collected in the National Museum of China has always caused little attention and it might be the unique extant artwork of the painter. As a recluse of Ming dynasty, Zhao Jin has s good reputation in the cultural circle in south of the River for the adeptness in writing poems and essays as well as the frequent communications with most celebrities at that time. The paper believes that it＇s more reasonable to interpret the painting in the whole context of literati＇s ＂fisherman culture＂ The characteristics, image and postscripts of the painting are not only the interpretation of spirit pursuit of literati such as Zhao Jin and Wen Zhengming but also the reflection of their complex mood wavering between the official career and the reclusive living.