摘要
艾德莱斯是新疆维族尔族最喜爱也是最传统的服饰之一。它质地柔软,颜色华美艳丽,每逢节日或是重要的场合时,维吾尔族人都会穿上艾德莱斯绸制作的衣服出席。"艾德莱斯"在新疆维族尔族的语言中,表达的是轻盈、飘逸、抽象的意思。艾德莱斯在其他人眼里不过是一种纹样、一种图案,但是它作为维吾尔族最重要的服饰之一,就不仅仅只是一种单纯的纹样与图案了。艾德莱斯丰富的图案种类与变化,都可以追根溯源,它不是无缘无故出现的,是维吾尔族祖先通过长时间的生产劳作与生活经验,运用自己的聪明才智一步步地创造与美化演变而来,最后形成了自己族别独有的、特有的民族文化和图案文化。它代表着整个维族尔族的历史文化符号,同时也记载了维吾尔族的生活、宗教与信仰,对现代装饰艺术设计应用具有非常重要的意义。在文章中,首先对艾德莱斯图案进行解读、分析,再结合现代理念进行再设计,最后结合本人的实践作品主要讲述如何应用在玻璃器皿表皮装饰当中。
Atles is Xinjiang Uighur family＇ s favorite as well as one of the most traditional costumes. It is soft, colorful with bright colors. On holiday or important occasions, Uighurs wear Ed fabric making clothes. ＂Atles＂ in Xinjiang Uighur language means being light elegant and abstract. Atles in the eyes of others is just a pattern, but as one of the most important dresses, it is more than just a simple pattern and design . Atles is rich of types and changes of design, can be traced back. It is not without reason, is that the ancestors of the Uighur through long time of working and life experience, using their own intelligence, created and evolved step by step and finally formed its own unique. It represents the whole history of ethnic Uighur culture, which also recorded the life of the Uighur with religion and faith. Application of modern decoration art design has very important significance. In the article, first of all, it interprets Atles design, and combining with modern concept design and the practice of my work, it focuses on how to apply it in the glass surface decoration.
出处
《设计》
2017年第8期132-133,共2页
Design
