摘要
五月初五端午节,除吃粽子、插艾草、赛龙舟、饮雄黄等习俗外,一些地方也形成了独特的地方端午习俗。山西晋北地区尤其是大同、朔州一带的,在端午时节,家家户户门窗粘贴五色纸符及剪纸公鸡,人人系五色线、佩五谷香包。这些传统民间工艺品图案新颖、色彩绚丽、工艺精巧。其中的五色纸符,就是古人智慧地将一些简单几何图形进行抽象化来表现动物神兽,并寄予美好期望与寓意的传统民间工艺品。这些端午习俗下的传统民间工艺品,在一定程度上折射出一个地区人们的民间色彩五色审美观,以及五行学说之"五色"崇拜。对此,以美学视觉,从大同端午民俗的形象符号、色彩学、工艺审美等方面予以深入探讨。
On the Dragon Boat Festival, in addition to eating dumplings, plug wormwood, race dragon boat, drinking realgar and other customs, some places also formed a unique local custom. In Shanxi a custom is for every household door and window stickers and colored paper cutting chicken, all five lines and grain sachet. The traditional process of new patterns, brilliant colors, sophisticated technology, especially the five-color character, the first wisdom of some simple abstract performance of animal geometry animal, giving them good expectations and moral. These folk customs reflect a people's folk color "five colors" aesthetic, five elements of the "five" color worship. This article takes the aesthetic point of view from the image of Datong Dragon Boat Festival folklore symbol, color science, to study craft aesthetic in-depth. It aims at promoting the essence of traditional folk culture, making people respect the external festivals at the same time to know the traditional culture.
出处
《设计艺术研究》
2017年第1期30-34,83,共6页
Design Research
关键词
五色纸符
五色线
五谷香包
剪纸公鸡
民间工艺
colored papercharacter: colored line: grain sachet~ paper-cut cock
folk craft