宋元龙舟题材绘画研究——寻找张择端《西湖争标图》卷

On The Song-Yuan Dragon-Boat Race Paintings ——Tracing The Hand-Scroll of The Dragon-Boat Race in The West Lake(Xīhú Zhēngbiāo Tú) Attributed to Zhang Zeduan

天津博物馆藏《金明池争标图》页展现了南宋人描绘龙舟图像的基本模式,而张择端《西湖争标图》则是元代宫廷画家探知北宋金明池竞渡的形象之源。据元人杨准题跋,1351年之前,张氏《西湖争标图》应与《清明上河图》一起尚收藏在元内府。作者认为,元代《龙舟夺标图》(故宫博物院藏)临摹了张择端《西湖争标图》卷的高潮部分,作者极有可能是宫廷画家王振鹏,这一范式影响到元代多本此类题材的作品。该文试图通过捕捉《清明上河图》所折射出的信息,寻找其姊妹篇《西湖争标图》(已佚)的画面形态,梳理宋元龙舟竞渡题材的演变历程。

In the album of Dragon-Boat Regatta in Jinmingchi Lake(Jīnmíngchí Zhēngbiāo Tú in Chinese pinyin) in the collection of Tianjin Museum is presented the typical mode that pictures the dragon boat races by the artists of the Southern-Song dynasty. The Yuan Court painters probably visualize the scene of dragon-boat regatta taking place in Jinmingchi Lake in the Northern Song dynasty from the hand scroll of Dragon-Boat Race in The West Lake(Xīhú Zhēngbiāo Tú in Chinese pinyin) by Zhang Zeduan. The postscript by Yang Zhun of the Yuan dynasty suggests that the hand scrolls of The Dragon-Boat Race in The West Lake(Xīhú Zhēngbiāo Tú) and The Riverside Scene at Qingming Festival(Qīngmíng Shànghé Tú in Chinese pinyin) both attributed to Zhang Zeduan remain in the collection of the Yuan Court before 1351. It is inferred in the thesis that the hand scroll of Dragon-Boat Race(Lóngzhōu Duóbiāo Tú in Chinese pinyin) in the collection of the Palace Museum most likely created by Yuan Court Artist Wang Zhenpeng whose paradigm much influences many works of the common theme during the Yuan dynasty takes after the climax of The Dragon-Boat Race in The West Lake(Xīhú Zhēngbiāo Tú) of Zhang Zeduan. Based on the messages reflected from The Riverside Scene at Qingming Festival(Qīngmíng Shànghé Tú), this thesis reviews the evolution of Dragon-boat Race Paintings in history, intending to uncover its missing sister scroll of The Dragon-Boat Race in The West Lake(Xīhú Zhēngbiāo Tú).