朱熹《论语》释论中的音乐美学思想

The Musical Aesthetics in ZHU Xi's Explanation of The Analects

朱熹在《论语》释论中谈到大量音乐美学问题,主要见于《朱子语类》第十九卷到第五十卷之中。朱熹在《论语》释论中的音乐美学思想有音乐本体论、音乐审美主体论、音乐教育论以及音乐形式论,还涉及古今乐的对比以及具体的音乐鉴赏。朱熹的音乐美学思想十分丰富,这既是出于其"格尽天下之理"的理学思想之要求,又来自他自身音乐实践的艺术审美体验和对音乐的理论探究。研究朱熹音乐美学,可以丰富作为艺术家的朱熹的一面,进而推进朱子学的研究。

ZHU Xi referred to a lot of issues of musical aesthetics in his explanation of The Analects, which can mainly be seen in from volume 19th to volume 50th in The Collection of Quotations by Zhuzi. In the explanation of The Ana- lects, ZHU Xi＇s musical aesthetics ideology includes music ontology, subjective theory of musical aesthetics, theory of musical education, and morality theory of music, and it also refers ancient music, and detailed music appreciation. So ZHU Xi had a we to the comparison of the temporary alth of ideas only attributed to the requirements of his ＂Natural l.aw＂ theory of Neo-Confucianism musical aesthetics, which , but also attributed to his and is not artis- tic aesthetic experience and exploration of music theories in his own music practice. Thus, the study of ZHU Xi＇s mu sical aesthetics can enrich the image of ZHU Xi as an artist and then further the study of Zhusim.