2016年中国电影表演美学述评

Review of Performance Aesthetics in Chinese Domestic Film in 2016

2016年的中国电影表演处于一种结构性调整的过程之中,仍然可以发现此前数年之间电影发展的很多规律性及非规律性的"印记",也与时代审美、文化心态和产业动机内在接通。"小鲜肉"男星和"小花旦"女星的"颜值"表演是"势力"最为庞大、不容忽视的风景线;作为国产电影宝贵传统的现实主义表演,在类型和形态层面更为多元、更加拓宽以及更具适应性;主要存在于类型片中的魔幻表演和喜剧表演则早已历经反复实践,形成了自身的美学"脉络",并还会持续发展;文艺片作为电影人本年度的艺术探索和表达的"重镇",也贡献了一些具有艺术"含金量"的表演。

In 2016, Chinese film performance has experienced a constructive regulation in which there were still regular and irregular imprints of film development years ago, and it also related to contemporary aesthetics, cultural psychology and industrial impetus. Performance supported by handsome actors and beautiful actresses is a scenery line that could not be ignored. As a precious tradition of domestic film, realistic performance became more plural and extensive in genre and form. And as a significant form of artistic exploration and expression, literary film also contributed a lot.