论《跃鲤记》声腔特色与角色语言舞台适应性

Tone Features and Stage Adaptation of Role Language of Yue Li Ji

富春堂本《跃鲤记》是一部常演不衰的民间经典传奇。文章从音乐与方言两方面研究该剧声腔特色。音乐方面,宫调混杂、一曲通底和常用曲调反复叠唱,民间戏曲特色显著。在演唱形式上群体性演唱曲多于个体性演唱曲,弋阳腔传奇便是群体性曲子多,对唱曲多,再加上锣鼓伴奏,听起来相当热闹。方言方面,喜用齐韵,支思韵、微韵、鱼模韵混入齐韵现象相当普遍,原因是这些不同韵部的字在弋阳腔中有不少本来就是齐韵字。弋阳方言词汇在剧中也很突出,可见,该剧富有弋阳腔声腔特色。文章还以丑扮秋娘和净扮姜婆为对象,探讨了该剧角色语言的民间舞台适应性。

Fu Chun Tang - version Yue Li Ji is a folk and classical legend popular with people. In this paper, I study its tone features from perspectives of music and dialect. As regards for music, one piece of music was often song to the end and repeated with often - used tunes. Therefore, it had a very distinctive feature of folk opera. As regards for singing form, group singing was more than individual singing. So, it sounds very lively. And in addition, a lot of Yi Yang dialect vocabularies appeared in the opera. This brought a peculiar Yi Yang tone feature. And taking Qiuniang and Jiangpo as the objects, I discuss the folk stage adaptation of the role language.