摘要
在当代,各类视觉图像充斥眼球,毋庸置疑这是摄影术产生后带来的变化。新媒体时代的出现,催促着摄影艺术的成长。摄影从单纯的记录功能性,兼具了表现性。摄影艺术与其他当代艺术一样,创作手法不再单一,它变得多元化,同时也和大部分当代艺术间有着千丝万缕的联系。当摄影艺术突破传统艺术观念,变得已不再像摄影时,有人提出了质疑,"空镜——与摄影无关"当代艺术展是策展人和九位艺术家一起关于摄影走向终结的探讨。在这里摄影不但没有死亡,反而施展出更多的可能。
Editor's note: Contemporarily, visual images of all sorts are everywhere, undoubtedly an outcome of photography. The emerging new media age pushes photography to grow. No longer merely graphic as it was, photography becomes expressive. As any other contemporary art, it tends to be diversified in creative approaches, meanwhile keeping inextricably linked with most of contemporary arts. However, when the art of photography goes beyond traditional artistic concepts and becomes no longer what it used to be, some raise their doubts. "Scenery Shot-Unrelated to Photography" is a contemporary art exhibit in which the curator and nine artists address terminating photography. However, here photography is not dead; instead it gives birth to more, encouraging possibilities.
出处
《天津美术学院学报》
2016年第4期20-29,共10页
Northern Art:Journal of Tianjin Academy of Fine Arts