摘要
喜剧与人的基本存在条件具有相当密切的关系,可以说是人存在模式最为核心的美学肉身化之一。本文对现有哲学中的喜剧理论进行一个概略的图览,在这个调查的基础上探讨一些喜剧的分类和美学问题,然后基于这些讨论对喜剧表演的伦理边界进行进一步的讨论。哲学中对喜剧性的解释分为高阶论、不协调论和(精神分析的)压抑潜意识释放论。
Comedy has close affinity with human being's condition, thus it can be said that it is one of the most fundamental modes of existential embodiment. In this essay, I will conduct a brief investigation on the past and current philosophical presumptions, then I will further discuss the related issues on the ethical problematics concerns comedy performance. Among the three major theories, the superiority, the incongruity and the psychoanalysis relief of the supressed energy, some detailed philosophical interpretation can offer valuable inspiration for practical aesthetic realisation of comedy performance. Based on the discussion, I intend to give an analysis on the moral dialect of the ethical issues of comedy performance.
出处
《电影艺术》
CSSCI
北大核心
2017年第2期3-7,共5页
Film Art
关键词
喜剧
伦理边界
comedy film, ethical boundary