摘要
肢体动作制造的滑稽与台词对白缔造的幽默是喜剧的两个重要手段。电影出现之后,在大众领域让两种手段不断放大,并逐渐融合。在电影史中,两条路径从卢米埃尔时期就具备了雏形,并伴随电影技术和类型的发展而融合,并且分别在视觉和听觉语言上形成特殊表达效果,互为矛盾、互为补充、互为矫正,在不同语言、民俗、人文风情等的差异背景下,也催生出喜剧片的文化隔阂问题。
The comic performance made by the body movement and the humor created by the dialogue are two important methods of comedy. In the filmic history, these two paths began to take shape since the Lumiere period. Along with the development of filmic technologies and genres, they integrate and achieve particular expressive effects in visual and audial languages. They achieve a contradictory, supplementary, and correctional relationship. But distinctive backgrounds such languages and customs also produce issues of cultural barriers in comedy films.
出处
《电影艺术》
CSSCI
北大核心
2017年第2期19-25,共7页
Film Art
关键词
喜剧片
滑稽
幽默
文化隔阂
comedy film, funny, humor, cultural barrier