论ECFA时代的台湾喜剧电影

The Taiwan Comedy Films in the ECFA Era

ECFA时代,台湾喜剧电影的创作主要可以概括为两条并行的路线:以宝岛本土受众为主、注重彰显本土意识的喜剧片,以及争取两岸观众、加强两岸文化勾连的两岸合拍喜剧片。本文对这两类影片的创作进行比较和分析,研讨如何才能创作出两岸观众共同认可、同时又保有台湾文化特色和地域风情的喜剧电影。

In the ECFA era, the composition of Taiwan comedy films may be generalized into two parallel routes： one is mainly produced for Taiwan audience and therefore manifests the native consciousness; the other is for China's Mainland and Taiwan audiences, and intents to consolidate the cultural connection them. This paper will center on the two parallel routes and discuss how to create comedy films that may be approved by audiences of both sides as well as retain the cultural characteristics and the regional style of Taiwan.