从国军、儿童、窃贼看民国观影文化的变迁

Examining the Transition of Viewing Culture in the Republic of China from the Army, Children and Thieves

本文试从民国时期三类不受欢迎的观众入手,分别考察由国军、儿童、窃贼构成的另类观影文化史,并尝试阐明"近代史就是不断从日常生活中驱逐暴力的过程"(埃利亚斯语)的真理,同时澄清此"暴力"包含身体及思想双重结构、此过程也绝非不可逆转。因为战争的结束并不意味着战争思维的终结,政权的更迭往往是暴力换装再现的历史起点。

This paper tries to start with three types of unpopular audiences in the Republic of China, namely the army, children, and thieves, to investigate the offbeat viewing history.It expounds the fact that ＂modern history is the process of expelling violence from daily life＂ （Elias）. At the same time, it clarifies that ＂violence＂ contains the dual structure of the body and mind, and this process is not irreversible.