摘要
21世纪电影理论所展现出来的"根茎"(rhizome)状态说明了电影理论已经摆脱了以往单向性的发展模式,成为相互纠缠的"根茎"网状样态。实验精神的双重性,民主精神的双重性,概念本身的双重理解和事物作用的正负作用,以及数字技术的运用(非数字化而是CG、VR之类的影像创造),带来的电影理念的嬗变,预示了未来电影在理念与技术上突破的可能性。这是对电影理论的预期,也是对后现代电影理论的想象。
Postmodern film theory or post-modern film theory is a'reversed'extension of classic film theory and modern film theory.'Rhizome'in the 21st century film theory has shown that the film theory has developed from a one-way development to an'interwoven mesh'.Dualism of experimental spirit,application of digital technology(not digital but image creation of CG and VR)and many other factors have brought great changes to film theory,which predicts the possible breakthrough in film concepts and technology.
出处
《东南大学学报（哲学社会科学版）》
CSSCI
北大核心
2017年第2期130-134,共5页
Journal of Southeast University(Philosophy and Social Science)
基金
基金项目 上海大学电影学高峰学科成果之一
