摘要
抒情是诗歌最重要的表意方式,田湘诗歌以其独特的表意方式构建出了一个属于自己的情感世界。在这个自我建构的世界中,田湘实现了现实世界之所不能,并在此对自我内心世界进行反扣,进而对现实世界做出新的思索。雅克·拉康的镜像理论与田湘诗歌中反复出现的自我建构现象有着"不谋而合"的契合之处,从拉康镜像理论对其诗歌进行分析,可以反观田湘自我建构的精神世界,探析其形成的特有诗歌风格。
Lyricism is the most important way of expressing in poetry. Tian Xiang＇ s poetry has constructed a distinctiveemotional world with unique ideographic way. In this self - constructed world, Tian Xiang has realized what the real world can not achieve, locked in the inner - self, and then brought inspiration towards the real world. Jacques Lacan＇ s mirror theory has a high degree of coincidence with the repeated self - construction phenomenon in Tian Xiang＇ s poems. The analysis of Tian Xiang poetryfrom Lacan＇ s mirror theory can reflectsell - constructed spiritual world of Tian Xiangas well as explore the formation of Tian Xiang＇ s unique poetry style.
出处
《河池学院学报》
2017年第1期20-23,共4页
Journal of Hechi University
基金
广西哲社规划基金一般项目"世界文学视阈中的广西诗歌研究"(15BZW006)
关键词
镜像
抒情
田湘诗歌
自我建构
Lacan＇ s mirror theory
lyrical
Tian Xiang＇ s poetry
self - construction
