摘要
王明辉经历了早期“乌鸦”系列、“粉色肖像”系列、“特写乌鸦”系列、“蓝色肖像”系列四个阶段,无论是现在还是以前,每一种选材和题材,实际上都传达着某种同质的东西,是两个主题、两个世界的即时融合。也可以说是一个世界被曝光的最本质面目,来自末日恐慌中的生存困境,及对人本质的追问。
Wang Minghui has experienced the four phases of early series of"Raven" "Pink Portrait" "Close-up of Raven" "Blue Portrait". No matter now or the past, every selected material and theme actually convey something of the same nature, the instantaneous integration of two topics and two worlds. Also, it can be viewed as the most essential face of the world, the survive predicament from Doomsday panic.
出处
《当代美术家》
2017年第2期70-71,共2页
Contemporary Artists
关键词
人文关怀
生存敏感性
焚烧
掩埋
Humanistic concern, Sensitivity of survive, Burning, Burial