摘要
西方19世纪时代精神的自我理解主要建立在泰坦英雄普罗米修斯形象上。从谢林、海涅和马克思三大家的普罗米修斯神话研究中可以归纳出一种辩证法神话研究路径。谢林"反神圣成为神圣"的辩证法造成了时代主体普罗米修斯造物个体市民和赫尔克勒斯审美创造天才的二元精神分裂。海涅通过诗学的反讽——辩证法的反题研究,揭示启蒙运动流产的内在原因:作为个体审美创造者的启蒙者反被市民个体被启蒙者所伤。布鲁门贝格对马克思的资本主义需要辩证法的审查,揭示资本主义积累规律压迫和束缚人性的忧郁事实。我们应该通过劳动来发展集体性神圣价值的学说,批判和扬弃资本私人性。
The self-understanding of nineteenth century western sprat is mainly Dasea on me heroic image of the Titan Prometheus. This essay generalizes a dialectic research approach from the mythological studies of the Prometheus Myth by Schelling, Heine and Karl Marx respectively. Schelling's dialectics of "the anti-holy becoming holy" leads to the binary schizophrenia between Prometheus' creation of the individual citizen and Heracles' aestheti- cally creative genius. Through the poetics of irony--the antithesis research of dialectics, Heine revealed the internal causes to the failure of the enlightenment: as an individual aes- thetical creator, the enlightener is injured by the individual citizen who is enlight- ened. Blumenberg examined Karl Marx's dialectics of "capitalist needs", and revealed the truth that the accumulation pattern of capitalism oppressed human nature. Therefore, we should develop the theory of collective divine value by way of labor, and criticize and sublate the theories of private capital.
出处
《中国社会科学院研究生院学报》
CSSCI
北大核心
2017年第2期77-85,共9页
Journal of Graduate School of Chinese Academy of Social Sciences
基金
教育部人文社会科学项目"布鲁门贝格的诗学与解释学研究"(09YJC751067)的阶段性成果