大足石刻与中国魔幻电影的空间融合

The Space Integration of Dazu Cave and Chinese Fantasy Film

创新不足且脱离魔幻类型的空间叙事诉求是中国魔幻电影取材传统文化由来已久的问题。以个案研究法探索遗产空间与魔幻电影空间的关联、融合的价值与路径,可为上述问题的解决提供思路与方向。幻想性和宗教色彩是大足石刻与中国魔幻电影的内在关联,也是他们能够彼此融合、互相借力、共同发展的基础。而依循空间叙事逻辑,对大足石刻进行局部或整体的魔幻改写,是二者走向融合的切实路径。时至今日,仅有长城、秦始皇陵、福建土楼等少量空间类文化遗产于魔幻电影中明确呈现,需要更多的相关研究和创作实践去改变这一现状。

Lack of innovation and detachment of spatial narration are the long-lasting issues of Chinese fantasy film when drawing the materials from the traditional culture. Using the case-study approach, the exploration of the association, value of integration and path of heritage space and fantasy films can provide ideas and ways to solve the problems. Surreality and religion are the in-ner associations between Dazu and fantasy films of China, and also the basement of their inter integration, inter-dependence and co-development. Following to the space narrative logic is the realistic way to integrate them well and rewrite the partial or whole description of the Dazu cave. Until now, only few special-heritages have appeared in the fantasy film, such as the Mausoleum of First Qin Emperor, the Great Wall and Fujian Tulou, which needs to be changed by more researches and creations.