陈怡三部混合室内乐作品的结构及其美学内涵

Study of the Structure of Chen Yi's Three Mixed Chamber Music Works and Their Aesthetic Connotations

从作品基本背景、作品结构、美学思想三个方面,对陈怡的三部混合室内乐作品进行探讨。五重奏《春夜喜雨》组合形式将我国传统诗歌结构和现代创作技法相结合,最大限度提高不同乐器之间的融合度,充分体现了具有我国诗歌结构特点的人文情怀和意境;三重奏《宁》以中西方乐器合璧的组合形式,将民歌曲调和日本民族调式相结合,将现实主义的纪实风格音乐特征表现得如临其境;三重奏《静夜思》以同名诗歌为原型,通过复三部曲式的创作手法,要求演奏者以西洋乐器模拟民族乐器音色特点,整个作品营造出宁静之中丝丝乡愁缠绕的音乐氛围。三部作品均体现了作曲家"洋为中用""中为洋用"双管齐下的创作思想,为现代室内乐带来不一样的听觉感受。

This paper endeavors to analyze the basic background, the structure and the aesthetic thought of Chen Yi＇ s three mixed chamber music works. The quintet ＂Delighting in Rain on a Spring Night＂ integrates the Chinese traditional poetry structure and modern techniques in creation, maximizes the degree of integration between different instruments, and fully embodies the humanity features and artistic conception in Chinese poetry structure. The trio ＂Ning＂ combines the western musical instruments with the oriental ones, makes the combination between folk tunes and Japanese national tunes, and vividly performs the music feature of realistic documentary style. The trio ＂Nostalgia＂ uses the same poetry as the prototype; through the usage of temary form, the player is required to simulate the timbre characteristics of national musical instruments by using western musical instruments ; the whole works creates a music atmosphere that reflects a quiet winding of nostalgia. The three works fairly reflect the composer＇ s two creative thinking that ＂foreign things serve China＂ and vice versa, thus leading to a different sense of appreciating modern chamber music.