风格问题?——重探柏林本《玛瑺斫阵图》

Problem of Style?—Reconsidering the Painting Machang Lays Low the Enemy Ranks(Machang zhuozhen tu) in the Berlin Collection

在柏林国家博物馆亚洲艺术馆的收藏中有一卷郎世宁的《玛瑺斫阵图》(以下简称柏林本)。画面描绘了18世纪的将士玛瑺在平定回部的战役中骁勇善战的英姿。过去很长的一段时间里这件作品并不被认为是郎世宁的原作,而被视为宫廷作坊的摹本,因为在台北"故宫博物院"的收藏里有一卷,如孪生兄弟般一模一样的郎世宁《玛瑺斫阵图》(以下简称台北本)。本文首先处理此卷作者的归属问题,将使用清宫《内务府照办处各作成活计清档》所记载的档案材料证明柏林本《玛瑺斫阵图》确实也是出自郎世宁的手笔,其次讨论该卷的图文关系,最后将之置于乾隆朝清宫中多重复本的脉络中讨论。

In the collection of the Museum fur Asiatishe Kunst,Staatliche Museen zu Berlin,there is a hand scroll painting entitled Machang Lays Low the Enemy Ranks(Machang zhuozhen tu).The painting depicts Machang,a Manchu officer,defeating his enemies in a battle against the Dzungar tribes of Central Asia in the 18 th century.For a long time this painting was not considered to be an original of Giuseppe Castiglione(1688—1766),but rather a workshop piece,since there is another identical work in the collection of the 'National' Palace Museum,Taipei.This paper firstly deals with the authorship of the painting.And then I try to prove that the painting in the Berlin collection is also an original work painted by Giuseppe Castiglione through archival materials and to discuss the context of producing the multiple versions of the paintings in the Qing court.