肖邦《降A大调叙事曲》Op.47的艺术特色——以三位钢琴家的音响版本对比为例

Artistic Features of Op.47 in Chopin's Narrative of Reducing A Major: An Exemplification from Comparing the Audio Versions of the Three Pianists

本文试图对弗拉基米尔·鲁宾斯坦、克里斯蒂安·齐默尔曼、弗拉基米尔·霍洛维茨这三位钢琴家,演奏肖邦《降A大调叙事曲》Op.47的录音版本,从节奏与速度、音色与力度、表现与创造演奏等方面进行对比研究。旨在通过对不同钢琴家演绎同一部作品时所显示出的共性特征与个性化表现的研究,更加深入地了解作品的艺术特色、演奏家的技术特征、审美倾向和艺术处理方式等等。聆听不同版本的音响有助于演奏者更加立体化、多角度地诠释作品,对作品拥有清晰化的音响体验。

This paper attempts to conducts a comparative research on recording of 0p.47 in Chopin＇s Narrative of Reducing A Major played by Vladimir Rubinstein, Christian Zimmerman and Vladimir Horowitz from the rhythm and speed, timbre and intensity, performance and creation and other aspects. Through the study on the common characteristics and personalized performance of different pianists when they deduce the same works, we can gain a deeper understanding of the artistic characteristics, the technical features, aesthetic tendencies and artistic treatment of the performers. Listening to different versions helps the players interpret works more three-dimensionally and all sides and have a clear sound experience.