浪漫主义时期舒伯特艺术歌曲诗歌化创作风格与演唱——以《纺车旁玛格丽特》为例

Poetic Creation Style and Singing of Schubert's Artistic Songs in the Romantic Period:with “Gretchen am Spinnrade” as a Case

浪漫主义初期,作曲家舒伯特将同时代诗人的诗歌精神与高度热情融入到了德奥艺术歌曲的创作中,使艺术歌曲发扬光大,成为浪漫主义一百多年的艺术长河里一颗璀璨的珍珠。从艺术歌曲诗歌化的创作风格和演唱方面来分析舒伯特对艺术歌曲的独特创新之处,要想演绎诠释好一首德奥艺术歌曲作品,不仅仅需要歌唱者熟练运用各种演唱技巧,最重要的是取决于自身艺术修养的高低。

In the early romanticism, Schubert, the great composer, integrated the poetic spirit and enthusiasm into the creation of the German and Austrian artistic songs from his contemporary poets, which had carried forward the artistic songs and became a shining pearl in the 100-year history of romanticism. The paper analyzes Schubert＇s unique innovations from his poetic creation style and confirms that the singers＇ success depends on not only their proficient singing skills but also the level of personal artistic accomplishments in order to better interpret a piece of German and Austrian artistic song.