摘要
1923-1924年是米罗艺术生涯的转折点,其创作风格由如实表达自然转为奇幻和想象,而尼德兰画家希罗尼穆斯·博斯的作品对这一时期米罗的创作产生了鲜为人知的影响。本文试以米罗的两幅代表作《耕地》及《加泰罗尼亚风景》与博斯的作品进行形式分析对比,并探讨超现实语境下的米罗如何对博斯的作品进行转译。
The years of 1923-1924 were a turning point in Miro' s artistic development. He passed from painting based on observation of the outside world to painting drawn on fantasy and imagination. However, the Netherlandish painter Hieronymus Bosch' s works had influenced him at this date, which was little known by people. This paper makes a comparative analysis on the form by comparing Miro' s two representative paintings, The Tilled Field and Catalan Landscape with Bosch' s works, in order to discuss how Miro transformed Bosch' s paintings in the surrealism' s context.
出处
《吉林艺术学院学报》
2016年第5期20-25,共6页
Journal of Jilin University of Arts