摘要
朝鲜族与维吾尔族自古就是中华大家庭中能歌善舞的民族,但是二者在空间上的遥远距离导致他们在整体舞蹈风格及相关的配乐形式上存在较大差异。值得注意的是,在许多基本舞蹈动作以及配乐的乐器种类适用上,二者之间仍存在着较多相似或相同之处。这些"近同现象"的存在亦是基于一定的人文历史因素的影响,方能成形。对朝鲜舞与维吾尔族舞蹈间的这种"共性"进行比较分析并对其渊源予以探究,有助于促进我国少数民族舞蹈艺术的内部交流与理论完善。
Korean and Uighur are all good at dancing and singing in the big family of China from ancient times, but the remote distance in space leads to a huge difference in the overall style of dance and the related soundtrack form. It is important to note that in many species of basic dance movements and musical instruments used, there still exist similarities and even something in common. The presence of these "nearly the same phenomena" can take shape based on certain cultural history factors. The comparative analysis of "similarity" between Korean dance and Uygur dance and the exploration to their respective origins help to promote internal communication and theoretical perfection in Chinese minority dance art.
作者
马天
卡买尔江.阿巴斯
姜德鑫
JIANGDe-xin(Xinjiang University of Finance & Economics,Urumqi 830012, China,Xinjiang Arts University, Urumqi 830012, China)
出处
《吉林艺术学院学报》
2016年第6期18-21,共4页
Journal of Jilin University of Arts
关键词
朝鲜族
维吾尔族
舞蹈
乐器
萨满文化
元朝
Korean nationality
Uighur nationality
dance
musical instruments
Saman culture
Yuan Dynasty