反讽时代的纪录片叙述体裁

The Narrative Style of Documentary in the Irony Age

纪录片的风格随历史进程出现循环演进,在当前反讽语境下,纪录片的真实本体及方法论出现动荡。纪录片在体裁上以"非虚构"操作被故事片有意标出,其实是一种反讽修辞。不存在本体意义的真实,"真实"成为一种体例上的对抗展演,罗兰巴特将此称为刺点符号。纪录片也需要被看作是皮尔斯符号学中的解释项,需要发动特定观影机制的功能。

In the current irony context, documentary style takes a circular evolution with the historical process and the real ontology and methodology of the documentary are turbulent. Documentary is intentionally marked by the feature film on the ＂non-fiction＂ operation in the genre, which is actually a kind of rhetorical irony. There is no ontological significance of reality, it is only a form of confrontational performance, which Roland Bart called piercing point symbol. Documentaries also need to be regarded as an interpretation of Pierce Semiology and launch a specific viewing mechanism function.