摘要
首尔现代画廊HYUNDAI GALLER Y,SEOUL2017.2.2-2017.3.12“看到了吗？那儿有什么？什么是什么？或许什么都不是。”朴炫基（1942-2000）在首尔现代画廊的第二次个展回应了这些问题,并显示出艺术家将感知推向极限的兴趣。这种深层次的探究是他多媒体艺术创作的核心,对自然及其材料特性的沉思赋予作品力量,让它们为自己发声。朴炫基常常被称作韩国录像艺术的先锋,
＂Do you see？ What is there？ What is what？ It can be nothing after all.＂ Park Hyunki＇s （1942-2000） second solo exhibition at Seoul＇s Hyundai Gallery, resounds with these questions, addressing his interest in pushing the limits of our perceptions. This underlying inquiry is central to his multimedia artworks, instilled with power by his musings on nature and its material properties, which speak for themselves.
出处
《艺术界》
2017年第2期196-196,共1页
