摘要
本文对新时期(主要是对20世纪80年代至90年代初)民族器乐的创作按照体裁形式进行了概略式的勾勒,对创作中存在的理论问题,诸如继承传统问题、现实发展问题、技术处理问题等做出了梳理。对困扰着当代民族管弦乐创作的文化观念问题,提出了自己的探索性答案。
According to the music styles and forms, this article draws a broad outline of the creation on the national instrument music since the new period ( from the early 80' s to 90' s in the 20th century). The author presents a line for the theoretical issues of musical creations, such as the traditional inheritance, the realistic development and the composing technical handling. Then he gives an explorative answer to the issues that are puzzling the cultural concept in the contemporary creation of the national orchestral music.
出处
《星海音乐学院学报》
2002年第2期26-30,共5页
Journal of Xinghai Conservatory of Music
关键词
新时期
民族管弦乐创作
传统技法
音响试验
标题性
程式化
旋律化
文化观念
new times
the national orchestral music creation
traditional techniques
acoustic experiments
programmatic
stylization
melody
cultural concept