摘要
此文摘记了本人多年来从事民族器乐创作的要点和体会,并从“创作理念、作曲技法、实际应用”三方面来简述自己的创作思路。
The article is an abstract of the writer's main points and experiences in his national instrumental music creation for many years. The writer also intends to make a brief introduction to his train of thoughts from the following three aspects; the creation ideas, the methods of composition and their practical application
出处
《星海音乐学院学报》
2002年第2期39-42,共4页
Journal of Xinghai Conservatory of Music
关键词
太极节拍
阴阳节奏
三才调式
四象和声
五行音高
the meter and the rhythm of the two opposing methods of composition
Sancai mode
Sixiang harmony
pentatonic pitch