摘要
废名在长篇小说《桥》中描绘了一个看似天真无忧但又隐含着哀愁的儿童世界。天真无忧主要体现在以主角小林为线索串联起的各种儿童的日常玩乐中,哀愁与忧惧则来源于成人对儿童的怜悯目光以及同为主角的女童琴子对生死的早慧。观之废名的童年体验、作为去乡者的现代性回眸视角以及对悲感美学色彩的偏爱三个方面,也许能够回答废名笔下的儿童世界看似无忧但隐含着悲感的原因。
Fei Ming describes a seemingly innocent but sad children world in his long novel Bridge. Naive- ty and carefree are mainly depicted in various children daily activities connected by the hero Xiao Lin, while the sorrows and worries are derived from aduhs sympathetic vision and the other hero Qin Zi's early vision a- bout the death. From Fei Ming's childhood experiences, the perspective of Fei Ming as a modern writer who left his hometown, and his preference for the aesthetics of sadness, readers maybe can see the reasons why children world seems innocent but sad under Fei Ming's pen.
作者
江璧炜
JIANG Biwei(Department of Literature, Hunan Normal University, Changsha, Hunang 10000, China)
出处
《西安石油大学学报(社会科学版)》
2017年第2期107-112,共6页
Journal of Xi’an Shiyou University:Social Science Edition
关键词
桥
儿童世界
悲感美学
Bridge
children world
aesthetic of sadness