摘要
本文探讨铃木演员训练法对演员身体这一不可见的戏剧美学要素所发生的影响作用。该理论认为身体具有一种不可见的戏剧美,这种美可通过铃木训练法得以挖掘。受过此种训练的演员为表演提供清晰可感却不易辨识的美学元素。
This article speaks to the effect of the Suzuki Method of Actor Training (SMAT) on the actor's body as an element of an unseen, or acknowledged theatrical aesthetic. The thesis addresses a notion of the body as having an unseen theatrical beauty that can be recovered through Suzuki training. Actors trained in SMAT provide a clear, palpable and yet unrecognized aesthetic element to theatre performance.
出处
《戏剧艺术》
CSSCI
北大核心
2017年第2期4-14,共11页
Theatre Arts
关键词
铃木
演员训练
能量
身体感知
会聚
美学影响
静态
识别力
内在感知
源自内部
Suzuki, actor training, energy, physical sensibilities, convergence, aesthetic influence, stillness, discernment,inner sensibility, visceral