从生产方式审视少数民族舞蹈的地缘归宿争议——以秧歌、萬舞、灯舞为对象

The Debate over Geographical Relationship of Ethic Dance from the Production Mode:Take Yangge,Wangwu and Lantern Dances as Examples

少数民族舞蹈的原始发生一般指向劳动生产学说,但劳动生产方式能不能决定少数民族舞蹈的地缘归宿却一直是学术界争议的话题。在此分别从少数民族农耕种植业、高原游牧业以及海洋渔业三大生产方式探讨少数民族秧歌、萬舞、灯舞的地缘归宿争议,指出通过地理标签来判断舞蹈的地缘关系是不够慎重的,建议在生态接触因素之外介入少数民族舞蹈发生的物种验证对象,并纠正了文化类比中的常见错误,揭示了三大生产方式对少数民族舞蹈发展框架的构建。

Minority dance original happen to labor theory of production, but labor production mode can＇t decide geopolitical end-resuh of the minority dance has been academic subject of debate. This paper respectively from the minority nomadic herding and Marine fishery farming planting, plateau three production methods of minority dance yangge, wan, lantern dance geopolitical marriage disputes, is pointed out that the geopolitical relations of judging by geographic label dance is not enough careful, Suggestions on ecological contact factors involved in ethnic minority dance species validation objects, and correct the common errors in the cultural analogy, reveals the three production ways of construction of minority dance development framework.