饥饿年代的自我书写——《商市街》与《放浪记》比较

Self-writing in the Hungry Years——A Comparison of Market Street and Vagabond′s Diary

萧红的《商市街》与林芙美子的《放浪记》同属女性自传文学,是20世纪初中日女性追求自由与个性解放的写照。两部作品体现了饥饿的共同主题,并且都以个人私生活为主要描写内容,同时从个体出发表达了对底层人民的关怀,表现了在相似的时代背景和个体际遇下女性的自我书写与主体寻找以及对国家、民族历史的关照。两部作品具体创作环境和叙述背景的不同,表现在对爱情与亲情的不同表现或缺失,在情感色彩上则呈现出孤独迷惘与反抗高歌的个性差异。

Both Xiao Hong＇s Market Street and Hayashi Fumiko＇s Vagabond＇s Diary are women＇s au- tobiographical works, which tell the stories of Chinese and Japanese women at the beginning of the twentieth century＇s who were pursuing freedom and individual liberation. Hungry is the same topic and personal life is the common content of the two works, and both of the two works embody concerns for lower-class people with a personal vision. Therefore, the two works are both about women＇s self- writing and self-identity as well as national historical thinking under the similar historic background and individual circumstances. On the other hand, the two works also have great differences in content selection about love and family affection, as well as in emotional keynote about depression and brightness, because of different creative environment and narrative background.