两岸当代戏曲创作之比较研究——以《十八罗汉图》与《丝路长城》、《乱红》与《桃花扇》为例

A Comparative Study on Contemporary Opera Creation in Chinese Taiwan and Mainland—A Case Study of Pictures of Eighteen Arhats,Silk Road to the Great Wall,Disorderly Red and The Peach Blossom Fan

《十八罗汉图》《丝路长城》《乱红》《桃花扇》为2015年于台北上演的四个当代戏曲剧目,它们恰好可以代表两岸的新编戏、实验戏、传统戏三类当代戏曲样式。本文从编剧、表演、音乐舞蹈、舞台美术、服装造型、导演六个方面对比分析两岸当代戏曲创作之异同,认识两岸当代戏曲创作的具体特征,能为两岸戏曲的发展现状提供互视与反省的机会,也为两岸戏曲的长远发展带来新的思路。

Pictures of Eighteen Arhats,Silk Road to the Great Wall,Disorderly Red and The Peach Blossom Fan are the four contemporary opera plays performed in Chinese Taipei in 2015,which can exactly represent such three contemporary opera genres as newly-organized,experimental and traditional plays in Taiwan and mainland. This paper analyzes the similarities and differences of Taiwan and mainland in six aspects including script writing,performances,music and dances,stage art,costumes and makeup,and directing,trying to understand specific characteristics of contemporary opera creation across the Taiwan Strait,providing an opportunity of examination and introspection for the development of opera and bringing new trains of thought for its future.