摘要
流派不仅是表演者个人艺术风格的彰显,也是戏曲发展到一定阶段的产物。它的生成和流传需借助以演员为核心的戏班体制,也倚仗由受众、媒介、传人等因素所构成的特定文艺生态。基于此,婺剧尽管有悠久的历史、鲜明的地域特征,一些优秀的艺术家也不乏自己的表演风格,但当下仍不具备流派新生的条件。
Schools are not only the manifestation of individual artistic styles, but also the product of opera development at a certain stage. They are generated and spread with the help of theatrical troupes with performers at the core, dependent upon specific cultural and artistic ecology comprised of factors including the audience, media and inheritors. Given this, although the Wu Opera has a long history and strong regional features with no lack of performance styles of some outstanding art-ists, it does not have the circumstances to generate a new school at once.
出处
《文化艺术研究》
CSSCI
2017年第1期84-89,共6页
Studies in Culture and Art
基金
国家社科基金艺术学项目"抗战时期沦陷城市的演艺生态与戏曲发展"(项目编号:14CB098)阶段性成果
关键词
戏曲流派
婺剧
名角制
演艺生态
schools of opera
Wu Opera
star system
entertainment ecology