摘要
纵观中国文化史,尤其是中国工艺美术史,从来不曾有过一个词能像今天的“大师”这样极度时髦。它几乎令整个工艺美术行业为之兴奋,为之倾倒,为之癫狂。不惜一切代价,甚至冒倾家荡产的风险1,也要拥有“大师”头衔,进而挤进更高级别的“大师”行列,是当下中国工艺美术界绝大部分人的追求与梦想。于是,各种名目繁多的“大师”,便应运而生、接踵而至、堆积如山、数不胜数。如果以见报率、出镜率、
Throughout the history of Chinese culture,especially the history of Chinese arts and crafts,there is no word as fashionable as"Master".It almost made the entire arts and crafts industry exciting,overwhelmed and insane.Most people in current Chinese arts and crafts circles are in the pursuit of the title of"Master"at all costs,even at the risk of becoming bankrupted,and then edging into the list of more advanced"masters".Therefore,numerous"masters"emerge one after another as the times require.
出处
《陶瓷研究》
2017年第1期66-73,共8页
Ceramic Studies