摘要
以魏晋时期山水诗和山水画产生为契机,论述进仕无门而"性好山水"的士人在玄学影响下生成的独具超世情怀;阐述此类画家寄情于山水诗、画,为山水画追求诗意表达所提供的必然条件,并通过对王维、苏轼、郭若虚和石涛等人诗与画相互感发的脉络梳理,以古代诗论画论为依据论证了中国山水画的诗意表达。
The article starts with the inspiration of the landscape poems and paintings in the Dynasties of Wei and Jin, to dwell on the fact that the ancient scholars who could be an official nowhere, changed their interests to landscape and natural living style under the influence of metaphysics. Their love for landscape poems and paintings has created preconditions for the poetic expressions pursued by landscape paintings. Taking WAN Wei, SHU Shi, GUO Ruoxu and SHI Tao as examples, the article traces spiritual roots mutually interwoven by poems and paintings, and illustrates the poetic expressions of Chinese landscape paintings through the technical relationship and influence between them.
出处
《浙江科技学院学报》
CAS
2017年第2期103-106,共4页
Journal of Zhejiang University of Science and Technology
基金
浙江科技学院教学研究项目(2016-k28)
关键词
山水画
意境
表达诗意
阐发
landscape paintings
artistic conception
poetic expressions
expound
